DSpace Welsh Repository Network Partner WRN Partners

University of South Wales DSpace >
University of South Wales >
Art, Design, and Performing Arts >
Drama and Performing Arts >

Please use this identifier to cite or link to this item: http://hdl.handle.net/10265/492

Title: Transatlantic terror! French horror theater and American pre-code comics
Authors: Hand, Richard J.
Wilson, Mike
Issue Date: 30-Apr-2012
Citation: Hand, R. J. and Wilson, M. (2012) 'Transatlantic terror! French horror theater and American pre-code comics', Journal of Popular Culture, 45(2), pp: 301-319.
Abstract: At first glance it may seem farfetched, if not ludicrous, to draw a parallel between French theater of the modern period and American comics of the 1950s. In the case of the Théâtre du Grand-Guignol (1897–1962), however, and the pre-code EC comics (1950–55), there are not merely a number of formal and thematic parallels to be drawn but several points where the Grand-Guignol can be seen to have had a direct influence on EC's titles. This influence can be detected in EC's direct reference to the Grand-Guignol's legendary status as the “The Theatre of Horror,” but there are also instances where EC makes use of Grand-Guignol archetypes or “borrows” storylines from the French repertoire.This article will investigate the hitherto neglected link between two specific examples of French theater and American comics both of which came to share a monumental significance—and notoriety—in their respective fields of popular horror culture. The article will give an overview of their respective legends before looking at the parallels between their formal structures, theme and content.
URI: http://hdl.handle.net/10265/492
ISSN: 1540-5931
Appears in Collections:Drama and Performing Arts

Files in This Item:

There are no files associated with this item.

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.


Valid XHTML 1.0! DSpace Software Copyright © 2002-2010  Duraspace - Feedback